Monday 31 March 2014

Extra Time Well Spent - Life As a Film Extra

If you've ever been to watch a television show being recorded, you'll have seen what goes on behind the glamorous facade - lots of people dressed in black, running around, muttering into the kind of face microphones singers wear these days, while gently but firmly keeping you, the audience, in your place. Now imagine being part of the show, on camera, but without having to learn any lines. That's a partial description of the film or TV extra's job. You might occasionally be given a line to act, but that's unusual. You might be asked to do something on your own - walk across the shot, sit in a railway carriage next to a principal character, or walk out of a shop - but for the most part you will be in a group of people mingling at a party, dining at a restaurant, drinking at a pub, walking purposefully down a hospital corridor, strolling through the park...you get the picture.

Extras - or 'background artists' - provide colour, noise, anything to give the shot more authenticity - whatever the director needs to tell the story. In the United States, in fact, film extras are called 'atmosphere'. Make of this what you will!

Some would say extras don't need to be able to act, but there's nothing more distracting than some guy in the background who looks so awkward that your eyes are glued to him and before you know it you've missed vital dialogue, and then you've lost the plot. It's actually quite difficult to act as though the camera's not on you. Most often, though, you're filmed in groups or crowds and that makes it a lot easier than, say, sitting alone, in shot, at a cafe table, endlessly stirring your coffee and waiting for your fictitious date.

Established extras casting agencies are the best way in, so try and register with several of them. They have a particular time of year when they accept CVs and photos -read their websites and follow their instructions. They're bombarded with applications and they're busy people. It also helps if you have an interesting skill or three, like horse riding, cycling or CPR. Some extras even maintain a wardrobe of uniforms and specialised work clothes. But tell the truth about skills: it's easy to get caught out, and you will not be popular.

Film extra work is never steady - you might be out of work for weeks or months and then get a three-week job on a feature film. The agency isn't interested in how you pay the rent in between; it's not their job. You could be working days or nights. Very often you won't know when you'll be finished, so you can't make plans. Most of the time you'll be on location and you'll usually have to find your own way there, often in the early hours. You will almost always miss breakfast, or be in wardrobe, or hair or makeup when it's being served. Take something with you to get your blood sugar up and running. Just don't eat it on set.

If all this sounds like hard work, which it often is, it's offset by lots of good stuff: dressing up in ll sorts of costumes, watching films being shot, making friends and generally being part of the action. Extras are usually treated (and fed) well, even if sometimes, of necessity, they're herded around. Sometimes you'll be treated less professionally, but if you treat your environment and your co-workers with respect, listen to instructions - and most importantly of all, you don't chatter on set while the cameras are rolling - you should be respected in turn. And as most people know by now, you need to possess a healthy dollop of patience. Filming is a painstakingly slow process. You need to love being there...because you will be there for hours...and hours...and hours.

One small health warning: if your heart's desire is to become an actor, film extra work is not for you. It may look like a way in, but generally it isn't, and it could do you more harm than good. Extra work is for people who want to be in the background, and stay there.

Christopher Spiers founder of Interesting Jobs, the web's premier resource for interesting jobs & fun jobs.


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Monday 10 March 2014

Want A Portable Career? A Career In Your Suitcase (Book Review)

Once upon a time, getting a job was the ultimate goal. Along came Generation X and the goal posts shifted: esteemed jobs needed to be international -- and well-remunerated to boot.

Now, thanks to Generation Y and 4 hour work week advocates like Timothy Ferriss, the playing field has changed again: why wait for a job offer when you can create your own international career and work your own hours -- anywhere, anytime?

Jo Parfitt is at the forefront of the portable career movement -- writing and speaking about it for years before Timothy Ferriss came on the scene. Jo is a portable career expert who has been practising what she preaches while riding the expat rollercoaster in Dubai, Oman, Norway, England and The Netherlands for more than 20 years.

Much to the delight of those who loved the first and second editions, the third edition of this definitive portable career bible, A Career In Your Suitcase, has just been released and it is better than ever. It is jam-packed with tools to help you self-assess your passion, drive, skills and goals, plus real-life quotes from men and women living the portable career dream abroad.

There is also a great chapter entitled 60 Brilliant Ideas -- all of which Jo attests have worked for either herself or people that she knows. These ideas will surely get you started and include: looking after holiday homes off-season; teaching people to do the things that you find easy; exporting local goods; importing goods from home; selling your artistic creations, or teaming up with someone artistic and marketing theirs; writing travel articles; and/or becoming a freelance photographer -- the list goes on.

Whatever your generation, if you have ever dreamed of creating a career that allows you to follow your passion and/or follow your partner, at home or abroad, A Career In Your Suitcase is for you. With its comprehensive advice, real-life stories, ideas, checklists and hands-on exercises, this book is not only a wonderful read, but it could just be the catalyst that you have been looking for to positively change your life forever.

Copyright belongs to Andrea Martins.

Reprints welcomed.

First published by The Telegraph (UK) online on 14 May 2008.

Andrea Martins is the Director and Co-Founder of ExpatWomen.com (http://www.expatwomen.com/) -- a global resource site full of inspiring features to help all women living outside of their home country. Visit ExpatWomen.com today as your first-stop website to get inspired, share stories, network globally, develop personally and find the best resources.


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